{"product_id":"razorlight-up-all-night-20th-anniversary-vinyl-lp","title":"Razorlight – Up All Night [20th Anniversary – Crystal Clear Vinyl LP]","description":"\u003ch3\u003eRazorlight – Up All Night [20th Anniversary Edition – Crystal Clear Vinyl LP]\u003c\/h3\u003e\n\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl LP, Album, Reissue, Stereo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCatalogue Number:\u003c\/strong\u003e 6586433\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBarcode:\u003c\/strong\u003e 602465864335\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenre:\u003c\/strong\u003e Indie Rock \/ Garage Rock Revival \/ Post-Punk Revival\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e UMR \/ EMI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginally Released:\u003c\/strong\u003e 28 June 2004\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReissue Released:\u003c\/strong\u003e 21 November 2024\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVinyl Colour:\u003c\/strong\u003e Crystal Clear\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition:\u003c\/strong\u003e New \u0026amp; Sealed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eDescription\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUp All Night\u003c\/em\u003e is the debut studio album by Razorlight — \u003cstrong\u003eJohnny Borrell\u003c\/strong\u003e (vocals, guitar), \u003cstrong\u003eBjörn Ågren\u003c\/strong\u003e (guitar, vocals), \u003cstrong\u003eCarl Dalemo\u003c\/strong\u003e (bass, vocals) and \u003cstrong\u003eChristian Smith-Pancorvo\u003c\/strong\u003e (drums) — originally released on 28 June 2004 on Vertigo Records. Recorded primarily at \u003cstrong\u003eSawmills Studio in Cornwall\u003c\/strong\u003e and \u003cstrong\u003eSphere Studios in London\u003c\/strong\u003e, and produced, engineered and mixed by \u003cstrong\u003eJohn Cornfield\u003c\/strong\u003e — who had previously worked with The Verve on \u003cem\u003eA Storm in Heaven\u003c\/em\u003e and Supergrass on \u003cem\u003eI Should Coco\u003c\/em\u003e and \u003cem\u003eIn It for the Money\u003c\/em\u003e — the album announced Razorlight as one of the most compelling new British bands of the mid-2000s indie explosion. It debuted at \u003cstrong\u003enumber three on the UK Albums Chart\u003c\/strong\u003e and has since been certified \u003cstrong\u003efour times Platinum\u003c\/strong\u003e in the UK, with over one million sales — remarkable figures for a debut on an independent-distributed label, and a testament to the staying power of the songs at its core.\u003c\/p\u003e\n\u003cp\u003eThe album arrived at a moment of particular ferment in British indie rock, with the influence of The Strokes and The Libertines having reshaped what guitar music could sound like and what audiences were hungry for. Razorlight absorbed these influences without being consumed by them: Borrell's songwriting had a sharp, aphoristic quality — street poetry delivered with the conviction of someone who genuinely believed in the romance of rock and roll — and Cornfield's production gave the band a live immediacy and directness that suited the material well. Critics were divided on originality but united on impact: \u003cem\u003eNME\u003c\/em\u003e praised Borrell's sharp street poetry and the band's energy, \u003cem\u003eRolling Stone\u003c\/em\u003e called it a \"brilliant mod explosion of scruffy pub punk,\" and \u003cem\u003eThe Guardian\u003c\/em\u003e noted that while originality may not have been the band's strong suit, Borrell's charisma carried the day. The album was named Best New Band at both the NME Awards and the Q Awards in 2004 and 2005 respectively.\u003c\/p\u003e\n\u003cp\u003eThe album spawned six singles. \u003cstrong\u003e\"Rock 'N' Roll Lies\"\u003c\/strong\u003e was the band's debut single (August 2003), setting out their stall with furious economy. \u003cstrong\u003e\"Rip It Up\"\u003c\/strong\u003e and \u003cstrong\u003e\"Stumble and Fall\"\u003c\/strong\u003e followed before the album's release, building momentum through late 2003 and early 2004. \u003cstrong\u003e\"Golden Touch\"\u003c\/strong\u003e — the album's most melodically direct and commercially accessible track — became their highest-charting single to that point, with a Top of the Pops performance just days before the album's release helping drive it up the charts. \u003cstrong\u003e\"Vice\"\u003c\/strong\u003e rounded out the campaign. \u003cstrong\u003e\"Somewhere Else\"\u003c\/strong\u003e — recorded separately, with band tracking at Sphere Studios, vocals at Abbey Road, and crowd noise at Brixton Academy — was released as a standalone single and added to the 2005 re-release of the album; it is included on this anniversary edition, bringing the track count to 14. Three tracks on this pressing use the \u003cstrong\u003eSawmills 04\u003c\/strong\u003e versions, reflecting the original demo\/session recordings from Cornwall.\u003c\/p\u003e\n\u003cp\u003eThis \u003cstrong\u003e20th Anniversary Edition\u003c\/strong\u003e on \u003cstrong\u003eUMR \/ EMI\u003c\/strong\u003e presents the complete 14-track deluxe album on \u003cstrong\u003ecrystal clear vinyl\u003c\/strong\u003e, released to coincide with Razorlight's 20th anniversary touring programme, which included a Brixton Academy headline date. Made in the EU.\u003c\/p\u003e\n\u003ch2\u003eTracklist\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLeave Me Alone\u003c\/li\u003e\n\u003cli\u003eRock 'N' Roll Lies \u003cem\u003e(Sawmills 04)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eVice\u003c\/li\u003e\n\u003cli\u003eUp All Night\u003c\/li\u003e\n\u003cli\u003eWhich Way Is Out\u003c\/li\u003e\n\u003cli\u003eRip It Up \u003cem\u003e(Sawmills 04)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eDon't Go Back to Dalston\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGolden Touch \u003cem\u003e(Full Length)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eStumble \u0026amp; Fall\u003c\/li\u003e\n\u003cli\u003eGet It \u0026amp; Go\u003c\/li\u003e\n\u003cli\u003eIn the City \u003cem\u003e(Sawmills 04)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTo the Sea\u003c\/li\u003e\n\u003cli\u003eFall, Fall, Fall\u003c\/li\u003e\n\u003cli\u003eSomewhere Else\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eCredits\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eJohnny Borrell – Vocals, Guitar, Songwriter\u003c\/li\u003e\n\u003cli\u003eBjörn Ågren – Guitar, Vocals\u003c\/li\u003e\n\u003cli\u003eCarl Dalemo – Bass, Vocals\u003c\/li\u003e\n\u003cli\u003eChristian Smith-Pancorvo – Drums, Vocals\u003c\/li\u003e\n\u003cli\u003eJohn Cornfield – Producer, Engineer, Mixed By\u003c\/li\u003e\n\u003cli\u003eAli – Mixed By \u003cem\u003e(Leave Me Alone, Don't Go Back to Dalston, Golden Touch)\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eLabel – UMR \/ EMI\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Razorlight","offers":[{"title":"Default Title","offer_id":57504314491267,"sku":"602465864335","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/9757\/4275\/files\/206516-razorlight-up-all-night-20th-anniversary.jpg?v=1772721674","url":"https:\/\/vikingrecords.co.uk\/products\/razorlight-up-all-night-20th-anniversary-vinyl-lp","provider":"Viking Records Ltd","version":"1.0","type":"link"}