Collection: Tom Waits Vinyl Records – Rain Dogs, Swordfishtrombones & Essential Albums on Vinyl

Tom Waits has spent over fifty years building one of the most singular catalogues in popular music. Starting out in 1970s Los Angeles as a piano-balladeer steeped in beat poetry and late-night jazz, he reinvented himself completely in the early 1980s — trading smoky piano bars for clanking percussion, industrial textures, and a voice that sounds like it was soaked in bourbon and left out in the rain. That voice is unmistakable: a gravelly, expressive instrument that can shift from tender whisper to carnival-barker howl within a single verse.

His career splits neatly into two halves — the Asylum Records years of smoky Americana, and the Island and Anti- Records era of experimental, junkyard orchestration that drew from Captain Beefheart, Kurt Weill, and Harry Partch. Both halves are essential, and both sound extraordinary on vinyl. Waits personally oversaw the remastering of his Anti- catalogue for vinyl reissue, and the results are definitive. A Rock and Roll Hall of Fame inductee and one of music's true originals.

Best Tom Waits Albums on Vinyl

Closing Time (1973)His debut, and a record of startling maturity for a 23-year-old. Piano-driven ballads and jazz-inflected character sketches paint a portrait of nocturnal Los Angeles — lonely diners, empty streets, last orders. Ol' 55 (later covered by the Eagles) and I Hope That I Don't Fall in Love with You are timeless. The album that introduced the world to that voice.

Swordfishtrombones (1983)The great reinvention. Waits threw out the piano-bar template and built something entirely new from marimbas, pump organs, banging metal, and found sounds. Influenced by Captain Beefheart and Harry Partch, it's his most radical departure — and the start of his greatest creative period. Underground, In the Neighbourhood, and the title track are extraordinary. Nothing in his catalogue before this sounds remotely like it.

Rain Dogs (1985)The masterpiece. A sprawling, kaleidoscopic portrait of New York's dispossessed, drawing from blues, cabaret, New Orleans brass, and punk energy. Keith Richards guests on guitar. Downtown Train, Time, and Jockey Full of Bourbon are among his finest songs. Endlessly inventive and deeply human — the album most fans point to as his best, and one that demands to be heard on vinyl from start to finish.

Mule Variations (1999)His triumphant return after a seven-year gap, and a Grammy winner. Mule Variations bridges the experimental and the accessible — songs like Hold On and House Where Nobody Lives sit alongside stomping, percussive workouts. The first release on Anti- Records, the label that became his home for the rest of his career.